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Sad Stonewash: A Video Mulch

Feature Films
2011
40 min
Directed by Luke Wyatt

Sad Stonewash is described as a 'mulch.' An adventure, or perhaps abyss, of distortion. Like if an alien raided a charity shop's VHS section and created some kind of a muzzy tapestry of humankind.

Created by Luke Wyatt (known elsewhere as Torn Hawk), the video deploys rather extreme analogue video processing, mixing analogue and digital tools as well as some good old fashion VCR bashing. Wyatt is also responsible for the spellbinding score that accompanies the visual experience.

Previously DVD only, the full video is now made available in an online format for the first time exclusively via 4:3.

The artist says: “I select a video to appropriate based on its mood resonance or compositional zing. My VCR gets beat up with a size 13 docksider until it makes errors and the VHS tape spits upon itself. While digitizing the video I induce the computer to make mistakes by not telling it the truth about the data it is ingesting. I isolate the mistakes I like best, outline them, and send them back to my VCR, resuming the docksider attack, repeating this process until things attain an anti-sheen, losing any crisp edge as if they had always belonged together. I then arrange the images in an order that must appear equally inevitable.”

title
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Sad Stonewash: A Video Mulch

Feature Films
2011
40 min
Directed by Luke Wyatt

Sad Stonewash is described as a 'mulch.' An adventure, or perhaps abyss, of distortion. Like if an alien raided a charity shop's VHS section and created some kind of a muzzy tapestry of humankind.

Created by Luke Wyatt (known elsewhere as Torn Hawk), the video deploys rather extreme analogue video processing, mixing analogue and digital tools as well as some good old fashion VCR bashing. Wyatt is also responsible for the spellbinding score that accompanies the visual experience.

Previously DVD only, the full video is now made available in an online format for the first time exclusively via 4:3.

The artist says: “I select a video to appropriate based on its mood resonance or compositional zing. My VCR gets beat up with a size 13 docksider until it makes errors and the VHS tape spits upon itself. While digitizing the video I induce the computer to make mistakes by not telling it the truth about the data it is ingesting. I isolate the mistakes I like best, outline them, and send them back to my VCR, resuming the docksider attack, repeating this process until things attain an anti-sheen, losing any crisp edge as if they had always belonged together. I then arrange the images in an order that must appear equally inevitable.”

title
x

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4:3 TV App

Flyer for event Sad Stonewash: A Video Mulch.

Sad Stonewash: A Video Mulch

Think of Sad Stonewash as an adventure in distortion. Like if an alien raided a charity shop's VHS section and created a muzzy tapestry of humankind.
Flyer for event I Dream of Wires.

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I Dream Of Wires charts the history, demise, and resurgence of the instrument.
Flyer for event Prince: Slave Trade.

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To mark what would have been the Purple One's 60th birthday, we've dug out this epic three hour documentary on how Prince remade the music business.
Flyer for event Until The Light Takes Us.

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Suicides, murders, and church burnings. Welcome to Norway's ruthless '90s black metal scene.
Flyer for event Wild Combination: A Portrait of Arthur Russell.

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A visually absorbing and heart-wrenching portrait of maverick musician Arthur Russell.
Flyer for event Electro Chaabi.

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If Buena Vista Social Club introduced the world to lost Cuban music, Electro Chaabi brings the slum music of downtown Cairo overground.
Flyer for event The Sound Of Belgium.

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'The Sound of Belgium' goes in search of the spirit of a nation and the people that danced to it.
Flyer for event The Best of Risky Roadz.

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Legendary DVD series Risky Roadz was instrumental in kickstarting the careers of countless MCs in the heyday of '00s grime. 'The Best of Risky Roadz' compiles the hypest moments from the four original DVDs into one incredible film anthology. It showcases some of grime's main players spitting bars in various locations around London, plus scenes filmed inside the recording studio or on air. MCs featured include Skepta, Kano, Giggs, Bashy, Hyper, Lethal B, Ghetts, Wiley, Roachee, Alias, Danny Weed, Target, Rosco, Chunky Bizzle, Chipmunk, Devlin, JME, Manga, Tinie Tempah, Mike Skinner and many, many more.
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