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Leon Theremin: playing his own instrument

Raw Footage
1 min

In 1928, the Russian inventor Lev Sergeyevich Termen – known in the west as Léon Theremin – demonstrated a shockingly futuristic new sound during a performance with the New York Philharmonic. When he patented it later that year, it was dubbed the “theremin”: an electronic instrument that could make music literally out of thin air. Termen, a gifted scientist who had built his own home laboratory by the age of 17, had used his knowledge of electromagnetic fields to build a portable instrument consisting of two oscillators and two antennae.

By moving his hands between the antennae, he conjured up ghostly, quivering tones that sounded like alien communications – an effect later used by the Beach Boys on ‘Good Vibrations’ (although on an updated version of the instrument, the Electro-Theremin). But the theremin wasn’t only admired for its radical new sound. Termen had been sent abroad not only to show off his new invention, but to gather information on the latest developments in American industrial technology.

When he returned to the Soviet Union in 1938, he was accused of being a counter-revolutionary and imprisoned – but rather than being left to rot in a Gulag, he was brought to Moscow to develop bugging devices used to spy on foreign embassies. One listening device, called The Thing, was hidden in a gift presented to the U.S. ambassador in 1945 by a group of schoolchildren. The device intercepted private conversations in the ambassador’s office for seven years until it was accidentally discovered.

  • Chal Ravens

Leon Theremin: playing his own instrument

Raw Footage
1 min

In 1928, the Russian inventor Lev Sergeyevich Termen – known in the west as Léon Theremin – demonstrated a shockingly futuristic new sound during a performance with the New York Philharmonic. When he patented it later that year, it was dubbed the “theremin”: an electronic instrument that could make music literally out of thin air. Termen, a gifted scientist who had built his own home laboratory by the age of 17, had used his knowledge of electromagnetic fields to build a portable instrument consisting of two oscillators and two antennae.

By moving his hands between the antennae, he conjured up ghostly, quivering tones that sounded like alien communications – an effect later used by the Beach Boys on ‘Good Vibrations’ (although on an updated version of the instrument, the Electro-Theremin). But the theremin wasn’t only admired for its radical new sound. Termen had been sent abroad not only to show off his new invention, but to gather information on the latest developments in American industrial technology.

When he returned to the Soviet Union in 1938, he was accused of being a counter-revolutionary and imprisoned – but rather than being left to rot in a Gulag, he was brought to Moscow to develop bugging devices used to spy on foreign embassies. One listening device, called The Thing, was hidden in a gift presented to the U.S. ambassador in 1945 by a group of schoolchildren. The device intercepted private conversations in the ambassador’s office for seven years until it was accidentally discovered.

  • Chal Ravens

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The Surveillance Machine

Flyer for event Siri, Alexa and Google Home in infinite looping conversation.

Siri, Alexa and Google Home in infinite looping conversation

For all our literary and cinematic imaginings about the future – flying cars, robot helpers, clone armies, pre-crime – it seems the reality, when it gets here, is always more mundane. Self-driving Ubers. Drones delivering Amazon parcels. And the new chattering class: AI-driven personal assistants, eavesdropping on our every word. Apple’s Siri, Amazon’s Alexa and Google’s (nameless, perhaps soulless) Google Assistant are compliant fembots ready to take orders at any moment – ideally from a human, but also, it seems, from each other. There are numerous YouTube videos documenting interactions gone awry, including several attempts at creating an endless loop of “conversation” between the voice assistants. That’s one way to distract them from collecting your data. This is only the beginning, however – Amazon executives have said they want the devices to be able to “speak” to each other properly in the future, so that Alexa can give Siri instructions, and vice versa. Soon they won’t need us at all. Chal Ravens
Flyer for event Forensic Architecture: Liquid Traces - The Left-to-Die Boat Case.

Forensic Architecture: Liquid Traces - The Left-to-Die Boat Case

The Mediterranean sea has become a symbol of hope and of tragedy for the thousands of people who attempt to leave Africa in search of a safer life in Europe each year. In March 2011, 72 migrants boarded an inflatable boat manned by Libyan soldiers, headed for the Italian island of Lampedusa. At the time, the sea was full of military ships and aircraft maintaining the Nato blockade of Libya – yet when the boat sent out distress calls, no one came to its aid. Only 11 survivors were on board when it washed up in Libya two weeks later. Forensic Architecture, a research group based at London’s Goldsmiths university, dubbed the craft “the left-to-die Boat” in a report and a film, Liquid Traces, that exposes Nato’s complicity in the tragedy. By using military surveillance technologies against the grain, Forensic Architecture showed that these deaths occurred in the most highly surveyed waters in the word. The migrants’ dinghy was seen by an aeroplane, military helicopters, two fishing vessels and a large military vessel – seen, but not acknowledged. This year, Forensic Architecture received a Turner Prize nomination for their work on human rights abuses, including an interactive model of a notorious prison in Syria created through prisoner testimonies. Chal Ravens
Flyer for event Leon Theremin: playing his own instrument.

Leon Theremin: playing his own instrument

In 1928, the Russian inventor Lev Sergeyevich Termen – known in the west as Léon Theremin – demonstrated a shockingly futuristic new sound during a performance with the New York Philharmonic. When he patented it later that year, it was dubbed the “theremin”: an electronic instrument that could make music literally out of thin air. Termen, a gifted scientist who had built his own home laboratory by the age of 17, had used his knowledge of electromagnetic fields to build a portable instrument consisting of two oscillators and two antennae. By moving his hands between the antennae, he conjured up ghostly, quivering tones that sounded like alien communications – an effect later used by the Beach Boys on ‘Good Vibrations’ (although on an updated version of the instrument, the Electro-Theremin). But the theremin wasn’t only admired for its radical new sound. Termen had been sent abroad not only to show off his new invention, but to gather information on the latest developments in American industrial technology. When he returned to the Soviet Union in 1938, he was accused of being a counter-revolutionary and imprisoned – but rather than being left to rot in a Gulag, he was brought to Moscow to develop bugging devices used to spy on foreign embassies. One listening device, called The Thing, was hidden in a gift presented to the U.S. ambassador in 1945 by a group of schoolchildren. The device intercepted private conversations in the ambassador’s office for seven years until it was accidentally discovered. Chal Ravens
Flyer for event Holly Herndon: Home.

Holly Herndon: Home

Holly Herndon isn’t the first musician to voice her concerns about state surveillance in song form, but her statement may be the most overt. On ‘Home’, from her 2015 album Platform, she sings directly to the unseen figure that she knows is watching her – not with their eyes, not with cameras, but with access to her email inbox. As Herndon explains it, her intimate attachment to her phone and laptop had turned her inbox into a virtual “home” – but that attachment left her feeling violated after the revelation that the NSA, the US government agency tasked with gathering electronic intelligence, had been surveying the population on a mass scale, collecting telephone records of millions of Americans and tapping directly into Facebook and Google servers. Shuddering at the thought of an unknown intelligence officer invading her inbox, Herndon wrote 'a love song for prying eyes' that’s also 'a break-up song with the devices with which I shared a naive relationship.' For the video, she called in regular collaborators Metahaven, a Dutch design studio whose work often explores democracy, corporate identity and the internet. Looking directly at the camera, so that the viewer takes on the role of the NSA snoop, Herndon wonders about the process that has paired her with this unseen presence: 'I can feel you in my room / Why was I assigned to you?' As the chorus kicks in, her face is obscured by hundreds of logos falling like rain, all taken from leaked PowerPoint presentations circulated within the NSA. 'I think that really revealed the human touch behind these programs,' she explained to NPR. 'They have really goofy cartoon characters and shapes and so it really shows the kind of humanity — the human fault behind these very real massive programs.' Chal Ravens
Flyer for event Dragonfly Eyes.

Dragonfly Eyes

The debut feature by Chinese artist Xu Bing was made from 10,000 hours of public accessible surveillance camera recordings.
Flyer for event Scanner: The Frame.

Scanner: The Frame

British electronic artist Robin Rimbaud, AKA Scanner, took his alias from the handheld gadget that provided the raw material for his “sound Polaroid” experiments in the early ‘90s, which turned intercepted cellular phone conversations into haunting minimalist compositions. In a segment filmed by the BBC later that decade, he demonstrates using his long-range radio receiver to pick up chatter in the skies over Battersea, and shows how he samples and manipulates his findings both in the studio and on stage to create ambient soundscapes full of unseen personalities and confidential exchanges: affairs, arguments, drug deals, people asking what’s for dinner. In the clip, a caption points out that using a scanner to snoop on phone calls is actually completely legal. 'Is there such a thing as privacy anymore when video cameras survey our every moment on the street?' asks Rimbaud. 'Your every last detail is mapped out on a computer system somewhere.' Yet his rhetoric feels more curious than accusatory; when it came to his own work, he shrugged off the moral implications of listening into people’s private moments. 'It’s this completely grey area,' he told Life magazine in 1995. 'It isn’t phone phreaking [hacking]. I’m just picking up radio waves.' Chal Ravens
Flyer for event M.I.A.: The Message.

M.I.A.: The Message

"When she warned us on 2010’s ‘The Message’ that the government was spying on our emails with the help of Google, critics scoffed. But if anyone was going to pull off the tinfoil hat look, it was to be art-school pop icon M.I.A. – and as it turned out, she was right. The song is only a minute long, but “the message” comes over loud and clear as she raps a warning to our digitally connected world: “Handbone connects to the internet, connected to the Google, connected to the government.” Pitchfork’s reviewer rolled his eyes at the eye, calling it “a simplistic, paranoid rap that's as rhetorically effective as someone in a dorm room ranting about the C.I.A. inventing Aids.” Then, three years later, whistleblower Edward Snowden revealed that the NSA had been tapping the servers of Facebook, Google, Amazon and other tech companies that had promised us private and secure communications. M.I.A. should have been vindicated – instead, in typically M.I.A. fashion, she complicated her position by drumming up a friendship with Julian Assange, the Wikileaks boss whose reputation has been tarnished during the years he’s spent hiding out in the Ecuadorian embassy in London, avoiding extradition on a rape charge." Chal Ravens
Flyer for event Broken Water: 1984.

Broken Water: 1984

Olympia, WA grunge trio Broken Water reference the ur-text on totalitarianism on their 2015 single ‘1984’

Reels

Flyer for event Divine David: The Avant Garde.

Divine David: The Avant Garde

David Hoyle is another drag terrorist and, coincidentally, the husband of CHRISTEENE. An utter institution, their 1998 series “Divine David” takes us through the thoughts of one of the most compelling creatures born of the British drag scene. In Life and the Avant-garde, my favourite of the eight episodes, David takes to the street to work out where exactly one can find the avant garde, and what the meaning of life might actually be. Both challenging and beautifully effete, David — in their gloriously heavy Blackpool accent and heavier smudged makeup — asks unwitting members of the public questions nobody can really answer. What proffers is a selection of both moving and comic moments which see Hoyle pierce the monotony of everyday life, desperate to find some meaning to it all. Another classic, it combines both high and low culture in the most acerbic of ways, pitting David as the most human, sane character as they trawl streets through utter normality.
Flyer for event Leigh Bowery: Wigstock 1994.

The Surveillance Machine

Flyer for event Siri, Alexa and Google Home in infinite looping conversation.

Siri, Alexa and Google Home in infinite looping conversation

For all our literary and cinematic imaginings about the future – flying cars, robot helpers, clone armies, pre-crime – it seems the reality, when it gets here, is always more mundane. Self-driving Ubers. Drones delivering Amazon parcels. And the new chattering class: AI-driven personal assistants, eavesdropping on our every word. Apple’s Siri, Amazon’s Alexa and Google’s (nameless, perhaps soulless) Google Assistant are compliant fembots ready to take orders at any moment – ideally from a human, but also, it seems, from each other. There are numerous YouTube videos documenting interactions gone awry, including several attempts at creating an endless loop of “conversation” between the voice assistants. That’s one way to distract them from collecting your data. This is only the beginning, however – Amazon executives have said they want the devices to be able to “speak” to each other properly in the future, so that Alexa can give Siri instructions, and vice versa. Soon they won’t need us at all. Chal Ravens
Flyer for event Forensic Architecture: Liquid Traces - The Left-to-Die Boat Case.

Forensic Architecture: Liquid Traces - The Left-to-Die Boat Case

The Mediterranean sea has become a symbol of hope and of tragedy for the thousands of people who attempt to leave Africa in search of a safer life in Europe each year. In March 2011, 72 migrants boarded an inflatable boat manned by Libyan soldiers, headed for the Italian island of Lampedusa. At the time, the sea was full of military ships and aircraft maintaining the Nato blockade of Libya – yet when the boat sent out distress calls, no one came to its aid. Only 11 survivors were on board when it washed up in Libya two weeks later. Forensic Architecture, a research group based at London’s Goldsmiths university, dubbed the craft “the left-to-die Boat” in a report and a film, Liquid Traces, that exposes Nato’s complicity in the tragedy. By using military surveillance technologies against the grain, Forensic Architecture showed that these deaths occurred in the most highly surveyed waters in the word. The migrants’ dinghy was seen by an aeroplane, military helicopters, two fishing vessels and a large military vessel – seen, but not acknowledged. This year, Forensic Architecture received a Turner Prize nomination for their work on human rights abuses, including an interactive model of a notorious prison in Syria created through prisoner testimonies. Chal Ravens
Flyer for event Leon Theremin: playing his own instrument.

Leon Theremin: playing his own instrument

In 1928, the Russian inventor Lev Sergeyevich Termen – known in the west as Léon Theremin – demonstrated a shockingly futuristic new sound during a performance with the New York Philharmonic. When he patented it later that year, it was dubbed the “theremin”: an electronic instrument that could make music literally out of thin air. Termen, a gifted scientist who had built his own home laboratory by the age of 17, had used his knowledge of electromagnetic fields to build a portable instrument consisting of two oscillators and two antennae. By moving his hands between the antennae, he conjured up ghostly, quivering tones that sounded like alien communications – an effect later used by the Beach Boys on ‘Good Vibrations’ (although on an updated version of the instrument, the Electro-Theremin). But the theremin wasn’t only admired for its radical new sound. Termen had been sent abroad not only to show off his new invention, but to gather information on the latest developments in American industrial technology. When he returned to the Soviet Union in 1938, he was accused of being a counter-revolutionary and imprisoned – but rather than being left to rot in a Gulag, he was brought to Moscow to develop bugging devices used to spy on foreign embassies. One listening device, called The Thing, was hidden in a gift presented to the U.S. ambassador in 1945 by a group of schoolchildren. The device intercepted private conversations in the ambassador’s office for seven years until it was accidentally discovered. Chal Ravens
Flyer for event Holly Herndon: Home.

Holly Herndon: Home

Holly Herndon isn’t the first musician to voice her concerns about state surveillance in song form, but her statement may be the most overt. On ‘Home’, from her 2015 album Platform, she sings directly to the unseen figure that she knows is watching her – not with their eyes, not with cameras, but with access to her email inbox. As Herndon explains it, her intimate attachment to her phone and laptop had turned her inbox into a virtual “home” – but that attachment left her feeling violated after the revelation that the NSA, the US government agency tasked with gathering electronic intelligence, had been surveying the population on a mass scale, collecting telephone records of millions of Americans and tapping directly into Facebook and Google servers. Shuddering at the thought of an unknown intelligence officer invading her inbox, Herndon wrote 'a love song for prying eyes' that’s also 'a break-up song with the devices with which I shared a naive relationship.' For the video, she called in regular collaborators Metahaven, a Dutch design studio whose work often explores democracy, corporate identity and the internet. Looking directly at the camera, so that the viewer takes on the role of the NSA snoop, Herndon wonders about the process that has paired her with this unseen presence: 'I can feel you in my room / Why was I assigned to you?' As the chorus kicks in, her face is obscured by hundreds of logos falling like rain, all taken from leaked PowerPoint presentations circulated within the NSA. 'I think that really revealed the human touch behind these programs,' she explained to NPR. 'They have really goofy cartoon characters and shapes and so it really shows the kind of humanity — the human fault behind these very real massive programs.' Chal Ravens
Flyer for event Dragonfly Eyes.

Dragonfly Eyes

The debut feature by Chinese artist Xu Bing was made from 10,000 hours of public accessible surveillance camera recordings.
Flyer for event Scanner: The Frame.

Scanner: The Frame

British electronic artist Robin Rimbaud, AKA Scanner, took his alias from the handheld gadget that provided the raw material for his “sound Polaroid” experiments in the early ‘90s, which turned intercepted cellular phone conversations into haunting minimalist compositions. In a segment filmed by the BBC later that decade, he demonstrates using his long-range radio receiver to pick up chatter in the skies over Battersea, and shows how he samples and manipulates his findings both in the studio and on stage to create ambient soundscapes full of unseen personalities and confidential exchanges: affairs, arguments, drug deals, people asking what’s for dinner. In the clip, a caption points out that using a scanner to snoop on phone calls is actually completely legal. 'Is there such a thing as privacy anymore when video cameras survey our every moment on the street?' asks Rimbaud. 'Your every last detail is mapped out on a computer system somewhere.' Yet his rhetoric feels more curious than accusatory; when it came to his own work, he shrugged off the moral implications of listening into people’s private moments. 'It’s this completely grey area,' he told Life magazine in 1995. 'It isn’t phone phreaking [hacking]. I’m just picking up radio waves.' Chal Ravens
Flyer for event M.I.A.: The Message.

M.I.A.: The Message

"When she warned us on 2010’s ‘The Message’ that the government was spying on our emails with the help of Google, critics scoffed. But if anyone was going to pull off the tinfoil hat look, it was to be art-school pop icon M.I.A. – and as it turned out, she was right. The song is only a minute long, but “the message” comes over loud and clear as she raps a warning to our digitally connected world: “Handbone connects to the internet, connected to the Google, connected to the government.” Pitchfork’s reviewer rolled his eyes at the eye, calling it “a simplistic, paranoid rap that's as rhetorically effective as someone in a dorm room ranting about the C.I.A. inventing Aids.” Then, three years later, whistleblower Edward Snowden revealed that the NSA had been tapping the servers of Facebook, Google, Amazon and other tech companies that had promised us private and secure communications. M.I.A. should have been vindicated – instead, in typically M.I.A. fashion, she complicated her position by drumming up a friendship with Julian Assange, the Wikileaks boss whose reputation has been tarnished during the years he’s spent hiding out in the Ecuadorian embassy in London, avoiding extradition on a rape charge." Chal Ravens
Flyer for event Broken Water: 1984.

Broken Water: 1984

Olympia, WA grunge trio Broken Water reference the ur-text on totalitarianism on their 2015 single ‘1984’

Reels

Flyer for event Divine David: The Avant Garde.

Divine David: The Avant Garde

David Hoyle is another drag terrorist and, coincidentally, the husband of CHRISTEENE. An utter institution, their 1998 series “Divine David” takes us through the thoughts of one of the most compelling creatures born of the British drag scene. In Life and the Avant-garde, my favourite of the eight episodes, David takes to the street to work out where exactly one can find the avant garde, and what the meaning of life might actually be. Both challenging and beautifully effete, David — in their gloriously heavy Blackpool accent and heavier smudged makeup — asks unwitting members of the public questions nobody can really answer. What proffers is a selection of both moving and comic moments which see Hoyle pierce the monotony of everyday life, desperate to find some meaning to it all. Another classic, it combines both high and low culture in the most acerbic of ways, pitting David as the most human, sane character as they trawl streets through utter normality.
Flyer for event Leigh Bowery: Wigstock 1994.

Leigh Bowery: Wigstock 1994

A queer series wouldn’t be so if it didn’t feature Leigh Bowery. A club kid of the most exalted proportions, Bowery is perhaps the most referenced queer person in history — from fashion to performance, his life’s work brought a specific brand of challenging beauty to the world. Wigstock was a legendary New York queer festival founded by Lady Bunny, and in his 1994 Wigstock performance Bowery arrives on stage in one of his characteristically huge silhouettes, to sing All You Need is Love. "A pretty performance, until it reaches climax: in which Bowery gives birth to a blood covered body — the body of his wife. It’s far from perfect: which was the whole intention of the time — queer mess, queer failure, and queer appropriation of normative oppressive codes to undermine their sanctity. This was a space of unencumbered queerness, but in a world of vigilant homo and queerphobia, so much of the art produced by our community took aim at undermining normativity. Some years before, a video of Lady Bunny wearing a giant dildo in front of a child in the audience at Wigstock had made its way onto 20/20 as religious propaganda, making queers out as pedophiles. Instead of stepping away from those labels, performers like Bowery and Bunny stepped into them — making art which shows the absolute ridiculousness of any such association Tom Rasmussen
Flyer for event Jane Pratt "Raves and Ecstasy" 1993.

Jane Pratt "Raves and Ecstasy" 1993

Worth watching just for the commercials.
Flyer for event Amanda LePore: Heatherette x MAC.

Amanda LePore: Heatherette x MAC

The most expensive body in the world, starring in perhaps the most glorious video on the planet. The legendary camp cultivator David Lachapelle directs Amanda LePore as the poster girl for MAC makeup’s collaboration with New York club-grown brand Heatherette, in a five minute darkly humorous commercial. The video itself, made in the year of the new millennium, plays on tropes of the Hitchcock, the Stepford Wives, putting Amanda front and centre as the perfect vision of iconic womanhood, with a gloriously maniacal twist. From painting herself pink to escaping across country on a blue Transam, LePore’s beautiful nude body in motion imagery of a trans woman’s body around the world. As camp should, the commercial both celebrates and undermines the obsession with capitalism, with beauty, with perfection a brand like MAC might be known for. It’s a feast for the eyes, guaranteed to make some viewers uncomfortable. While it’s an ad for a pink lipstick, it’s actually so much more. Tom Rasmussen
Flyer for event Frankie Knuckles: Interview.

Frankie Knuckles: Interview

A conversation with the late great "Godfather of House" Frankie Knuckles about the impact of Paradise Garage.
Flyer for event David Mancuso: Audiophile Sound.

David Mancuso: Audiophile Sound

An audiophile look with DJ David Mancuso and renowned sound engineers on the history of club sound and DJ equipment
Flyer for event The Dancer.

The Dancer

From streets to clubs, a raw look into the world of the club dancers.
Flyer for event Interview with Tee Scott.

Interview with Tee Scott

In his own words, a conversation with one of the original dance legends, Tee Scott.
Flyer for event Revisiting the legacy of Chicago house legend Ron Hardy.

Revisiting the legacy of Chicago house legend Ron Hardy

A look at the Chicago House Music legend and mentor Ron Hardy with Robert Williams
Flyer for event Inside: Paradise Garage.

Inside: Paradise Garage

Never before seen footage of the closing weekend of the Paradise Garage (1987), commented by Larry Levan`s close friend, videographer Michael Sampson
Flyer for event Leon Theremin: playing his own instrument.

Leon Theremin: playing his own instrument

In 1928, the Russian inventor Lev Sergeyevich Termen – known in the west as Léon Theremin – demonstrated a shockingly futuristic new sound during a performance with the New York Philharmonic. When he patented it later that year, it was dubbed the “theremin”: an electronic instrument that could make music literally out of thin air. Termen, a gifted scientist who had built his own home laboratory by the age of 17, had used his knowledge of electromagnetic fields to build a portable instrument consisting of two oscillators and two antennae. By moving his hands between the antennae, he conjured up ghostly, quivering tones that sounded like alien communications – an effect later used by the Beach Boys on ‘Good Vibrations’ (although on an updated version of the instrument, the Electro-Theremin). But the theremin wasn’t only admired for its radical new sound. Termen had been sent abroad not only to show off his new invention, but to gather information on the latest developments in American industrial technology. When he returned to the Soviet Union in 1938, he was accused of being a counter-revolutionary and imprisoned – but rather than being left to rot in a Gulag, he was brought to Moscow to develop bugging devices used to spy on foreign embassies. One listening device, called The Thing, was hidden in a gift presented to the U.S. ambassador in 1945 by a group of schoolchildren. The device intercepted private conversations in the ambassador’s office for seven years until it was accidentally discovered. Chal Ravens
Flyer for event Siri, Alexa and Google Home in infinite looping conversation.

Siri, Alexa and Google Home in infinite looping conversation

For all our literary and cinematic imaginings about the future – flying cars, robot helpers, clone armies, pre-crime – it seems the reality, when it gets here, is always more mundane. Self-driving Ubers. Drones delivering Amazon parcels. And the new chattering class: AI-driven personal assistants, eavesdropping on our every word. Apple’s Siri, Amazon’s Alexa and Google’s (nameless, perhaps soulless) Google Assistant are compliant fembots ready to take orders at any moment – ideally from a human, but also, it seems, from each other. There are numerous YouTube videos documenting interactions gone awry, including several attempts at creating an endless loop of “conversation” between the voice assistants. That’s one way to distract them from collecting your data. This is only the beginning, however – Amazon executives have said they want the devices to be able to “speak” to each other properly in the future, so that Alexa can give Siri instructions, and vice versa. Soon they won’t need us at all. Chal Ravens

Leigh Bowery: Wigstock 1994

A queer series wouldn’t be so if it didn’t feature Leigh Bowery. A club kid of the most exalted proportions, Bowery is perhaps the most referenced queer person in history — from fashion to performance, his life’s work brought a specific brand of challenging beauty to the world. Wigstock was a legendary New York queer festival founded by Lady Bunny, and in his 1994 Wigstock performance Bowery arrives on stage in one of his characteristically huge silhouettes, to sing All You Need is Love. "A pretty performance, until it reaches climax: in which Bowery gives birth to a blood covered body — the body of his wife. It’s far from perfect: which was the whole intention of the time — queer mess, queer failure, and queer appropriation of normative oppressive codes to undermine their sanctity. This was a space of unencumbered queerness, but in a world of vigilant homo and queerphobia, so much of the art produced by our community took aim at undermining normativity. Some years before, a video of Lady Bunny wearing a giant dildo in front of a child in the audience at Wigstock had made its way onto 20/20 as religious propaganda, making queers out as pedophiles. Instead of stepping away from those labels, performers like Bowery and Bunny stepped into them — making art which shows the absolute ridiculousness of any such association Tom Rasmussen
Flyer for event Jane Pratt "Raves and Ecstasy" 1993.

Jane Pratt "Raves and Ecstasy" 1993

Worth watching just for the commercials.
Flyer for event Amanda LePore: Heatherette x MAC.

Amanda LePore: Heatherette x MAC

The most expensive body in the world, starring in perhaps the most glorious video on the planet. The legendary camp cultivator David Lachapelle directs Amanda LePore as the poster girl for MAC makeup’s collaboration with New York club-grown brand Heatherette, in a five minute darkly humorous commercial. The video itself, made in the year of the new millennium, plays on tropes of the Hitchcock, the Stepford Wives, putting Amanda front and centre as the perfect vision of iconic womanhood, with a gloriously maniacal twist. From painting herself pink to escaping across country on a blue Transam, LePore’s beautiful nude body in motion imagery of a trans woman’s body around the world. As camp should, the commercial both celebrates and undermines the obsession with capitalism, with beauty, with perfection a brand like MAC might be known for. It’s a feast for the eyes, guaranteed to make some viewers uncomfortable. While it’s an ad for a pink lipstick, it’s actually so much more. Tom Rasmussen
Flyer for event Frankie Knuckles: Interview.

Frankie Knuckles: Interview

A conversation with the late great "Godfather of House" Frankie Knuckles about the impact of Paradise Garage.
Flyer for event David Mancuso: Audiophile Sound.

David Mancuso: Audiophile Sound

An audiophile look with DJ David Mancuso and renowned sound engineers on the history of club sound and DJ equipment
Flyer for event The Dancer.

The Dancer

From streets to clubs, a raw look into the world of the club dancers.
Flyer for event Interview with Tee Scott.

Interview with Tee Scott

In his own words, a conversation with one of the original dance legends, Tee Scott.
Flyer for event Revisiting the legacy of Chicago house legend Ron Hardy.

Revisiting the legacy of Chicago house legend Ron Hardy

A look at the Chicago House Music legend and mentor Ron Hardy with Robert Williams
Flyer for event Inside: Paradise Garage.

Inside: Paradise Garage

Never before seen footage of the closing weekend of the Paradise Garage (1987), commented by Larry Levan`s close friend, videographer Michael Sampson
Flyer for event Leon Theremin: playing his own instrument.

Leon Theremin: playing his own instrument

In 1928, the Russian inventor Lev Sergeyevich Termen – known in the west as Léon Theremin – demonstrated a shockingly futuristic new sound during a performance with the New York Philharmonic. When he patented it later that year, it was dubbed the “theremin”: an electronic instrument that could make music literally out of thin air. Termen, a gifted scientist who had built his own home laboratory by the age of 17, had used his knowledge of electromagnetic fields to build a portable instrument consisting of two oscillators and two antennae. By moving his hands between the antennae, he conjured up ghostly, quivering tones that sounded like alien communications – an effect later used by the Beach Boys on ‘Good Vibrations’ (although on an updated version of the instrument, the Electro-Theremin). But the theremin wasn’t only admired for its radical new sound. Termen had been sent abroad not only to show off his new invention, but to gather information on the latest developments in American industrial technology. When he returned to the Soviet Union in 1938, he was accused of being a counter-revolutionary and imprisoned – but rather than being left to rot in a Gulag, he was brought to Moscow to develop bugging devices used to spy on foreign embassies. One listening device, called The Thing, was hidden in a gift presented to the U.S. ambassador in 1945 by a group of schoolchildren. The device intercepted private conversations in the ambassador’s office for seven years until it was accidentally discovered. Chal Ravens
Flyer for event Siri, Alexa and Google Home in infinite looping conversation.

Siri, Alexa and Google Home in infinite looping conversation

For all our literary and cinematic imaginings about the future – flying cars, robot helpers, clone armies, pre-crime – it seems the reality, when it gets here, is always more mundane. Self-driving Ubers. Drones delivering Amazon parcels. And the new chattering class: AI-driven personal assistants, eavesdropping on our every word. Apple’s Siri, Amazon’s Alexa and Google’s (nameless, perhaps soulless) Google Assistant are compliant fembots ready to take orders at any moment – ideally from a human, but also, it seems, from each other. There are numerous YouTube videos documenting interactions gone awry, including several attempts at creating an endless loop of “conversation” between the voice assistants. That’s one way to distract them from collecting your data. This is only the beginning, however – Amazon executives have said they want the devices to be able to “speak” to each other properly in the future, so that Alexa can give Siri instructions, and vice versa. Soon they won’t need us at all. Chal Ravens
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