• Search
  • Login or Sign Up

Derek Jarman: Blue

Feature Films
1993
75 min
Directed by Derek Jarman

Blue 1993 is a film by the British artist and filmmaker Derek Jarman which features a single static shot of the colour blue with a voiceover and musical soundtrack. The voiceover, written by Jarman, consists of a diaristic and poetic text documenting his AIDS-related illness and impending death at a time that he had become partially blind, his vision often interrupted by blue light. The film is Jarman’s last feature and was completed only a few months before he died. Consequently, Blue forms a direct counterpart to the late painting Ataxia - Aids is Fun 1993 in its evocation of Jarman’s final illness, albeit from a very different standpoint.

The visual language of Blue – an unchanging blue screen – directly references Yves Klein’s (1928–1962) evocation of the void and zones of immateriality through his use of the colour ‘International Klein Blue’ The film’s voiceover is spoken by Jarman alongside long-term collaborators Tilda Swinton, Nigel Terry and John Quentin. The text – often spoken as a form of verse – is augmented by music and sound by Jarman’s regular composer Simon Fisher-Turner, as well as Coil, Momus, Karol Szymanowski and Eric Satie. (Tate)

  • Franck Vigroux

title
x

Derek Jarman: Blue

Feature Films
1993
75 min
Directed by Derek Jarman

Blue 1993 is a film by the British artist and filmmaker Derek Jarman which features a single static shot of the colour blue with a voiceover and musical soundtrack. The voiceover, written by Jarman, consists of a diaristic and poetic text documenting his AIDS-related illness and impending death at a time that he had become partially blind, his vision often interrupted by blue light. The film is Jarman’s last feature and was completed only a few months before he died. Consequently, Blue forms a direct counterpart to the late painting Ataxia - Aids is Fun 1993 in its evocation of Jarman’s final illness, albeit from a very different standpoint.

The visual language of Blue – an unchanging blue screen – directly references Yves Klein’s (1928–1962) evocation of the void and zones of immateriality through his use of the colour ‘International Klein Blue’ The film’s voiceover is spoken by Jarman alongside long-term collaborators Tilda Swinton, Nigel Terry and John Quentin. The text – often spoken as a form of verse – is augmented by music and sound by Jarman’s regular composer Simon Fisher-Turner, as well as Coil, Momus, Karol Szymanowski and Eric Satie. (Tate)

  • Franck Vigroux

title
x

Poetry of Absurd

Flyer for event Negative Hands (Les Mains Négatives).

Negative Hands (Les Mains Négatives)

Duras made this sequence shot an early morning in the deserted street of Paris. Franck Vigroux
Flyer for event Le Dormeur.

Le Dormeur

This short film is a virtuoso sequence shot based on Arthur Rimbaud antimilitarist poem Le Dormeur du Val. I suggest to read the poem before watching the film… Franck Vigroux
Flyer for event Derek Jarman: Blue.

Derek Jarman: Blue

Blue 1993 is a film by the British artist and filmmaker Derek Jarman which features a single static shot of the colour blue with a voiceover and musical soundtrack. The voiceover, written by Jarman, consists of a diaristic and poetic text documenting his AIDS-related illness and impending death at a time that he had become partially blind, his vision often interrupted by blue light. The film is Jarman’s last feature and was completed only a few months before he died. Consequently, Blue forms a direct counterpart to the late painting Ataxia - Aids is Fun 1993 in its evocation of Jarman’s final illness, albeit from a very different standpoint. The visual language of Blue – an unchanging blue screen – directly references Yves Klein’s (1928–1962) evocation of the void and zones of immateriality through his use of the colour ‘International Klein Blue’ The film’s voiceover is spoken by Jarman alongside long-term collaborators Tilda Swinton, Nigel Terry and John Quentin. The text – often spoken as a form of verse – is augmented by music and sound by Jarman’s regular composer Simon Fisher-Turner, as well as Coil, Momus, Karol Szymanowski and Eric Satie. (Tate) Franck Vigroux

Poetry of Absurd

Flyer for event Negative Hands (Les Mains Négatives).

Negative Hands (Les Mains Négatives)

Duras made this sequence shot an early morning in the deserted street of Paris. Franck Vigroux
Flyer for event Le Dormeur.

Le Dormeur

This short film is a virtuoso sequence shot based on Arthur Rimbaud antimilitarist poem Le Dormeur du Val. I suggest to read the poem before watching the film… Franck Vigroux
Flyer for event Derek Jarman: Blue.

Derek Jarman: Blue

Blue 1993 is a film by the British artist and filmmaker Derek Jarman which features a single static shot of the colour blue with a voiceover and musical soundtrack. The voiceover, written by Jarman, consists of a diaristic and poetic text documenting his AIDS-related illness and impending death at a time that he had become partially blind, his vision often interrupted by blue light. The film is Jarman’s last feature and was completed only a few months before he died. Consequently, Blue forms a direct counterpart to the late painting Ataxia - Aids is Fun 1993 in its evocation of Jarman’s final illness, albeit from a very different standpoint. The visual language of Blue – an unchanging blue screen – directly references Yves Klein’s (1928–1962) evocation of the void and zones of immateriality through his use of the colour ‘International Klein Blue’ The film’s voiceover is spoken by Jarman alongside long-term collaborators Tilda Swinton, Nigel Terry and John Quentin. The text – often spoken as a form of verse – is augmented by music and sound by Jarman’s regular composer Simon Fisher-Turner, as well as Coil, Momus, Karol Szymanowski and Eric Satie. (Tate) Franck Vigroux
title
x
title
x
title
x
title
x

title
x
title
x
title
x
title
x
title
x

title
x
title
x
title
x
title
x
title
x

title
x
title
x
title
x
title
x
title
x

title
x
title
x
title
x
title
x
title
x

title
x
title
x
title
x
title
x
title
x

title
x
title
x
title
x
title
x
title
x

title
x
title
x
title
x
title
x
title
x

Boiler Room

  • About
  • Editorial
  • SoundCloud
  • Instagram
  • YouTube
  • TikTok
  • Facebook
  • Apple Music

Projects

  • Broadcast Lab
  • Energy

Information

  • Brand Partnerships
  • Accessibility
  • Support
  • Careers
  • Privacy Notice
  • Cookie Notice
  • Website Terms Of Use
  • Open Dance Floor Policy
  • Purchase Terms & Conditions
title
x
title
x
title
x
title
x

title
x
title
x
title
x
title
x
title
x
© 2026 BOILER ROOM

Subscribe to our newsletter for updates on film screenings and residencies.

You can opt out anytime. We will treat your information with respect. For more information about our privacy practices please read Boiler Room's Privacy Notice. By clicking above, you agree that we may process your information in accordance with these terms.

title
x
title
x
title
x
title
x
title
x

title
x
title
x
title
x
title
x
title
x

title
x
title
x
title
x
title
x
title
x

title
x
title
x
title
x
title
x
title
x

title
x
title
x
title
x
title
x
title
x

title
x
title
x
title
x
title
x
title
x

Subscribe to our newsletter for updates on film screenings and residencies.

You can opt out anytime. We will treat your information with respect. For more information about our privacy practices please read Boiler Room's Privacy Notice. By clicking above, you agree that we may process your information in accordance with these terms.

Boiler Room

  • About
  • Editorial
  • SoundCloud
  • Instagram
  • YouTube
  • TikTok
  • Facebook
  • Apple Music

Projects

  • Broadcast Lab
  • Energy

Information

  • Brand Partnerships
  • Accessibility
  • Support
  • Careers
  • Privacy Notice
  • Cookie Notice
  • Website Terms Of Use
  • Open Dance Floor Policy
  • Purchase Terms & Conditions
© 2026 BOILER ROOM

Boiler Room

  • About
  • Editorial
  • SoundCloud
  • Instagram
  • YouTube
  • TikTok
  • Facebook
  • Apple Music