With over 60 films under his belt, Sergio Martino remains a elusive figurehead in the world of horror cinema and yet still retains a reputation of heavily involving satanism and surrealism in his filmography. With sexual rituals set to the score of Bruno Nicolai, exploitation superstar Edwige Fenech’s knee-high black boots, and soft-focus cinematography, All the Colors of the Dark maintains a sense of paranoia but makes for a perfect case-study in the debate for equilibrium between style and substance in arthouse.